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The Interdisciplinary Work of Lyss Warmland.

Posts tagged disability

Check out my conversation with Jeannette Breward and Elle Warren!

We have a very honest conversation about emotional labour and feminized labour in our lives from where we stand. Topics include:
– who makes dinner?
– unpaid work with no breaks
– breastfeeding
– “double shifts”
– disability and emotional labour
and more!

Jeannette Links:
Previous episode
Facebook
Website
IG

Elle Links:
Previous episode
Facebook
Personal IG
Bon Bon Fashion IG

Check out my conversation with Lyndsay Lazar!

Image may contain: Lyndsay Lazar

We talk about:
– Lyndsay’s history of business ownership
– Starting her new company, Bonbon Fashion
– Balancing sustainability and feminism in the fashion industry
– Our mutual love of vintage fashion
– Living with chronic pain and a traumatic brain injury
– Creative work as therapy
– How Lyndsay’s work keeps her well

and more!

Featured Tunes by:
Angel Haze
Tegan and Sara
Winona Wilde
Missy Elliot

Checkout my conversation with Susan K.!

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We talk about:

– Working for a union
– Gardening and wellness
Cat facts
– Making art
– Managing physical and emotional intersections when it comes to disability
– Living with OCD and CPTSD
– The journey that is self-care
– What it means to listen to our bodies and to respect their boundaries
– What Susan loves about Sasquatch and conspiracies in general
– What wellness means and how the things Susan does keep her well

Featured Tunes by:
Billie Eilish
Brutal Knights
Kendrick Lamar
Wayne Kennedy

Check out my conversation with Kat Mokus!

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We talk about:

  • 2spirit and nonbinary gender identities
  • Kat’s creative work, including their zines, through Disabled Femme
  • The intersection between mental health and physical disability
  • Why access to cannabis is important
  • Gender-neutral pronouns
  • Keyboard activism
  • Kat’s new project, Accessible Resiliency
  • Various types of therapy and our favourite coping strategiesFeatured Tunes:Corn Dog Sonnet No.7 by Sincere Engineer
    Rotten Egg by Avem
    Grow Up/Stay Young by The Anti-Queens
    Realness by RuPaul

Additional Stuffs:

twitter: mx_kat_mokus
instagram: mx.kat, accessibleresiliency
Kat in Broken Pencil

 

Check out my interview with Gareth Vieira!

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  • Gareth’s favourite things about Port Hope (and what brought him here)
  • All about Gareth’s writing
  • The story behind Gareth’s book store
  • About Dispatches From a Small Town
  • His experiences with Port Hope Now
  • His experiences with Short Order Poetry
  • Living with Crohn’s Disease
  • How writing keeps Gareth well

 

Featured Tunes:
Skates by Hayden
Valentine by Fiona Apple
Samson by Regina Spektor
Sun in an Empty Room by The Weakerthans

The sky turned grey the day after
To match my head the day after
I lay on the table and
allowed myself to be at the mercy of
doctors and this body
The one that just seems to
Keep failing me
Betraying me
When all I want is to
do this thing I feel called to do
I-
Motherless child
I-
Childless mother
Felt grey the day after
Cervix still open
Another lifeless love
Lifted from my body.

Listen to the podcast here!

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Check out this special episode where I talk about what Meniere’s Disease is, how I was diagnosed, my experience living with it, and the treatment strategies I use to manage the symptoms. If you’re curious to know more about what it’s like living with a disease that causes vertigo, ear pressure, hearing loss, and tinnitus, this is the episode for you.

If you have other questions about this disease or the other chronic illnesses I live with, please email me at lyss@nothingexistsradio.org or reach out to me on Facebook and I am happy to respond, no matter how personal!

Featured Tunes:

Listening by The Used
Verranzo by The Unlovables
Run in Circles by Face to Face
No Shadow by Ryan Adams

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Check out my interview with Amy Anderson-MacArthur (@veganmomofmany) about:

– Her favourite story form her bartending days
– Moderating a Vegan Keto group, “Vegan Keto Made Simple“, (and why she eats the way she does)
– Managing chronic illness naturally
Having a stroke during her fifth pregnancy at the age of 30…and life afterwards
Sobriety
– Using CBD oil and cannabis vs. Wine Mom culture
– Being happy and the attitude it takes to get there
– Parenting a child with Sensory Processing Disorder
– Encouraging autonomy in children

Featuring Fresh Nova Scotia Tunes:

“Frantic” by John Rodgers and Julian Warme (Written in one night!)
“On Crutches” by John and Belinda
“Chips” by HighJinx and J-Hooligan
“Butts” by Brock MacArthur

 

Screen Shot 2017-10-29 at 5.36.26 PMContent- medical system, ableism, denial of access, chronic pain, mention of parent death, pharmaceutical medication, naturopathic medication.

I was eight years old, running some relay race in gym class, when I first experienced the pain. Burning, throbbing, aching pain in my ankles and knees. My ankles gave way, and I fell, embarrassingly, in front of my peers. That was how it all began- a lifetime of chronic pain.

Between then and when my mom got sick when I was fourteen, she advocated or me to have any and all testing done to rule out any potential chronic health issues. She had fibromyalgia, and had since my brother was born, so she knew to believe me when  said I was in pain…though I don’t think she wanted to believe the extent of it. As tests came back negative again and again, I grew to normalize my pain, assuming everyone lived this way. By the time I was in university, the pain wasn’t just in my ankles and knees anymore- it was overwhelmingly in my shoulders, neck, and back, though my legs also often ached and I couldn’t seem to digest any food or drink aside from water and milk chocolate. It was overwhelming, but as far as I was aware, everyone felt this way.

If anything, I believed that the issues all stemmed from my depression, which is what my doctors told me after yet another CT scan came back normal. My doctor had prescribed me Prozac and Clonazopam after my mom died, days before my sixteenth birthday. By the time I was in university, my prozac prescription  had been maxed out and replaced with a high dose of Cipralex. Despite this, I was actively self-harming (via cutting and self-starvation) daily and was in more physical pain than ever.

Then the accident happened. You can read about it here. After that, my pain got infinitely worse. What I had been able to normalize before was no longer something I could even think about ignoring. So I went back to my doctor and we started the torture- I mean testing- process again. CT scans, (“inconclusive”) MRIs, EKGs, and a million other tests I can’t even remember the names of. For one, they put thin needles in my nerves and sent shocks in to test my nerve response. The specialist didn’t believe me when I said it was excruciating. At some point, my doctor diagnosed me with fibromyalgia. In other words, he gave his lack of understanding about what was going on with me a name that was meant to acknowledge and validate my wide-range of painful symptoms.

I took to the Toronto Public Library, reading anything and everything I could get my hands on. I made lists of potential treatment options- both based in traditional Western medicine and more alternative methods. I  stepped into the role of advocate for my own treatment and watched the battle unfold. Since I was no longer a passive recipient of my doctor’s decisions, he and I began to clash. At one appointment, he suggested the third or forth pill I could try (he’d prescribed me more medication, Lyrica and Tramadol, on top of my psych meds upon my diagnosis).

I said, “I use cannabis to manage my symptoms and have for years, that’s how I am able to function. Can you please give me a prescription so that I don’t run into any issues with the law while trying to medicate appropriately. My understanding is that fibromyalgia makes me eligable for this prescription”.

He said, ” I will maybe consider it after you have tried every approved pharmaceutical drug approved for your condition”.

He sent me to a pain clinic in Hamilton, where the doctor prescribed me Gabapentin and began to give me nerve block injections, a cocktail of drugs injected directly into the nerve in the curve where my neck and shoulder meet with a long, thick needle. The first time, I screamed the way people cry when they get punched in the nose. The spasm I experienced throughout my entire body was simply indescribable.

“Be quiet, you’re going to scare the other patients,” said the specialist. He turned to my partner, “don’t let her read up on the Gabapentin, I’m sure she’ll just end up with all the side effects if she does that”.

As it turns out, Gabapentin was one of the medications I got the most side effects from. It’s also the most common medication people recommend to me to this day when they find out I experience nerve pain.

It took three or four trips to the pain clinic before the specialist diagnosed me with neuropathy and declared that nerve block injections were not an appropriate treatment method for me after all.

I don’t even remember how many medications I tried to appease my doctor. Lyrica, Gabapentin, Tramadol, Nucynta (a powerful opioid similar to oxy), Cymbalta, Amitriptyline, Prednisone, and more. I was a full-time student in the first few years of my twenties, and feeling like a drug addict because I was following doctors orders. It was around this time that my partner’s father accused me of being an opiate addict and threatened to disown us (flash forward- we ended up disowning him). It was right around this time that I failed the only class I would ever even come close to failing. It was right around this time that I was constantly suicidal because the quality of my life was so deeply affected.

I began to try every alternative treatment I could think of- yoga, acupuncture, massage, naturopathic remedies, homeopathic remedies, energy therapy… Most of them seemed to work a bit better, but I had a  long way to go. Regardless, it cemented my commitment to having some control over how I managed my symptoms.

I went back to my doctor and said, “I’m done with this. I don’t want to me on drugs anymore. I want to manage my symptoms naturally, and I know it’s going to take a lot of work, but this is what I want to do. I brought my paperwork, I’ve filled it out, please sign off on a cannabis prescription.”

He said no.

I found another doctor through a friend who was compassionate and gained legal access under the MMPR in 2013. After evaluating my symptoms, he prescribed me 20 grams per day so that I could tincture or eat it if I wanted to, rather than smoking it. At the same time, I (against the advice of my doctor- don’t do this!) went off all my medication cold turkey and changed my diet to exclude gluten, sugar, and nightshades. I went through about two weeks of the hell that is opiate withdrawal and sugar withdrawal combined, and then almost immediately noticed a huge difference in the way I felt. I still lived with serious pain, but I was able to manage it- through choices I made.

Because my prescription is so large, I realized the importance of having access to grow it myself. It would cost over $100 000/year to purchase my medication from an LP. Since having my prescription, I’ve experienced two sets of law changes and the advent of recreational legalization.  At one point, I literally received a letter form Health Canada telling me to destroy my plants because they were no longer allowing patients to grow for themselves. LPs were to be the only option. While I’m excited that access will be easier for many people and they won’t have to go through what I did, I’m also terrified that it may impact my access moving forward. My access, and thousands of other people who could probably tell a story similar to mine.

I am 26 years old, I received my diagnosis 7 years ago, and I work full time, volunteer 10-20 hours/week, maintain countless beautiful relationships in my life, and manage my pain pretty damn well overall. I smoke a ton of cannabis, am conscious of my lifestyle, eat really well, go to therapy once a month, and take naturopathic medicines. Because that is how I choose to manage my pain.

I want to see the widest possible range of access for this versatile plant. I want to see people having access to grow their own, cultivate the strains that work best for them. I want to see dispensaries where  people can easily access multiple strains. I want to see mom-and-pop shops instead of LPs. I want to see less stigma, because autonomy is important for disable people like me. Access is important to disabled people like me.

The intention of this project is to promote healing and storytelling through community and performance. There will be an open call to anyone who wishes to get involved in the process of creating a piece of performance art regarding the topic of disordered eating and performance.

There will be efforts made to encourage a wide range of people to participate in the workshopping and performing process. This includes diversity in age, gender, race, sexual orientation, ability level, and type of disability. While, ideally, most of the collective would be comprised of people living with disordered eating behaviours, it may also be interesting to hear from people supporting loved ones living with disordered eating behaviours or people who work closely with performers living with disordered eating behaviours. There is no cost to participants associated with this program.

There will be a five week series of workshops where this group of people will discuss things such as:

How does disordered eating affect performers? How does disordered eating affect performance itself?

What is performance?

What is disordered eating?

How does performance affect people physically and emotionally?

The difference between intentional and unintentional performances regarding disordered eating

Is there a place for people with disordered eating behaviours in spaces that promote performance?

How can we support one another regarding disordered eating behaviours?

while also taking care of ourselves?

How can being creative contribute to healing?

How does body image affect performance?

The lived experiences of performers with disordered eating behaviours?

Any people involved in the workshopping process will be invited to work on the actual writing of the performance based on the notes from the workshopping process. The format of performance will be discussed amongst collective (monologues? One act play? Music? Dance? Movement? Visual art? Combination?) There will be 4 rehearsals and two performances at the end of the workshopping process. Tickets will be sold for $20 each, with compensated and discounted tickets available to anyone who would like to attend, but cannot afford the ticket price. There will also be a “pay what you can” donation jar available at all performances and throughout the workshopping and rehearsal process.

Other topics will likely come up, and anyone involved in the collective will encouraged to bring up topics that are relevant to the project. Notes will be taken at each workshop. Workshops will be co-facilitated by Lyss England and Jillien Hone. Workshops will be done according to To the Root’s community discussion format.

 

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Datesposter

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collabart.JPGThe above is a collaborative piece of art that was produced during the process of The Performance and Disordered Eating Project. The artists involved are Lyss, Jill, Lindsey, MJ, Clayton, and Marcela.

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