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The Interdisciplinary Work of Lyss Warmland.

Posts tagged survival

July 20 LIVE on Northumberland 89.7 FM Small Town Radio!
LISTEN HERE for the podcast version. 

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My guest, Shanna Layton, and I discuss things like:

  • How Shanna found her love of cooking
  • Her career in the food industry
  • Managing good allergies and food restrictions in the food industry
  • Surviving sexual assault and domestic violence
  • Setting the rumours straight about Pitcher’s Place
  • Shanna’s favourite places to eat in Northumberland County
  • Shanna’s upcoming professional projects (meal plans!?)
  • If you have been affected by the content in this episode, please reach out to someone you trust.

    If you would like to speak to a counsellor, I recommend phoning 4 County Crisis. They have counsellors available 24/7 at 1-866-995-9933.

    If you are experiencing domestic violence, visit www.cornerstonenorthumberland.ca for resources.

    Featured Music

  • Black Hole by Charly Bliss
  • Young Girls by Kate Boothman
  • Wilderness by Cheryl Ireland
  • Sing Every Day by Avem

 

The intention of this project is to promote healing and storytelling through community and performance. There will be an open call to anyone who wishes to get involved in the process of creating a piece of performance art regarding the topic of disordered eating and performance.

There will be efforts made to encourage a wide range of people to participate in the workshopping and performing process. This includes diversity in age, gender, race, sexual orientation, ability level, and type of disability. While, ideally, most of the collective would be comprised of people living with disordered eating behaviours, it may also be interesting to hear from people supporting loved ones living with disordered eating behaviours or people who work closely with performers living with disordered eating behaviours. There is no cost to participants associated with this program.

There will be a five week series of workshops where this group of people will discuss things such as:

How does disordered eating affect performers? How does disordered eating affect performance itself?

What is performance?

What is disordered eating?

How does performance affect people physically and emotionally?

The difference between intentional and unintentional performances regarding disordered eating

Is there a place for people with disordered eating behaviours in spaces that promote performance?

How can we support one another regarding disordered eating behaviours?

while also taking care of ourselves?

How can being creative contribute to healing?

How does body image affect performance?

The lived experiences of performers with disordered eating behaviours?

Any people involved in the workshopping process will be invited to work on the actual writing of the performance based on the notes from the workshopping process. The format of performance will be discussed amongst collective (monologues? One act play? Music? Dance? Movement? Visual art? Combination?) There will be 4 rehearsals and two performances at the end of the workshopping process. Tickets will be sold for $20 each, with compensated and discounted tickets available to anyone who would like to attend, but cannot afford the ticket price. There will also be a “pay what you can” donation jar available at all performances and throughout the workshopping and rehearsal process.

Other topics will likely come up, and anyone involved in the collective will encouraged to bring up topics that are relevant to the project. Notes will be taken at each workshop. Workshops will be co-facilitated by Lyss England and Jillien Hone. Workshops will be done according to To the Root’s community discussion format.

 

CallOutPoster

Datesposter

processpic

collabart.JPGThe above is a collaborative piece of art that was produced during the process of The Performance and Disordered Eating Project. The artists involved are Lyss, Jill, Lindsey, MJ, Clayton, and Marcela.

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There’s something to be said
For the pain of knowing
What you want,
Putting in so much
That you lose the rest of
yourself,
And being rejected
Over and over and over
And getting back up
To put in more
Than you ever had to
Begin with
And finding that what you wanted
Doesn’t feel
Like it was for you
After all.
There’s something to be said
For dreaming and working
And not being seen
And finding that
You were never made for
That dream.
(Or the dream was never made for you)
You were made for
The challenge.

this time around,
I don’t feel the need to
fight/flight/freeze/fuck
or to perforate my
scar-stained flesh.
it helps not to be fourteen
fifteen
sixteen
seventeen but
twenty-six. 
it helps that I have loved you
and know now
that love is
patient/kind/hopeful
not
envious/angry/selfish
loving you-
is delightful because it is true
loving you-
is the taste of sugar
after black coffee.
it helps that I have loved you.
and though my body is here,
I am sitting on the bed with you
laughing too loudly
over curse words and cold tea
and how our love
is delightful because it is true.

I am like one of those
green/mossy/grassy weeds
that grow in between
the cracks of sidewalks.

You see something
undesirable/a mess/alive
and you just want to
pull me out by the root.

What you don’t see is
roots so deep I won’t
ever truly get out from
under your skin-

I mean-
the cement.